Our Story

2009

Education, e-learning and Publishing

Our first few projects led us into the field of Education and Publishing. We began work on projects in this field for domestic as well as international clients and continued to work with those clients for a long time. The projects revolved around teaching children concepts from early childhood education about culture, festivals, seasons, numbers, values, etc.

2010

Bondi Band

We were well established in the education sector within the year, but we wanted to expand our horizons. We began to pitch for TV series and a lot of effort was spent before we had our first breakthrough. After one long year, we got the chance to work on Bondi Band, an Italian-Spanish animated television series created by IAM Cartoon Projects. The series was released in 2011 and the following year, it was distributed by Disney XD in several countries. We learned a lot of new things to match the level of work that was expected. It set a precedent for the years that followed, as we have always found ourselves working on challenging projects that make us grow.

2011

Ronaldinho Gaucho’s Team

As we were nearing the end of Bondi Band’s production, we began actively looking for something new to work on in order to continue our mainstream business. Soon after the completion of Bondi Band, we managed to crack the next production titled ‘Ronaldinho Gaucho’s Team’; an Italian animated television series based on the Brazilian soccer star Ronaldinho Gaúcho. We ended up creating 52 episodes of 11 minutes each for this series.

2012

Gino il Pollo

With two TV series already in production, getting a third was much easier. Our third project was another Italian TV series called Gino il Pollo (Gino the Chicken). Here is a fun fact: It was initially an Internet meme before it was turned into an animated series!

2013

Misha the Purple Cat

2013 was one of the most memorable years of our story, as we landed our first co-production deal. It was a preschool TV series titled Misha the Purple Cat based on a series of books for kids created by Philip Stanton. We produced one season successfully and secured the production of the second season as well soon after. This series met with great success and global viewership, bringing us a lot of recognition as well. Currently, in the year 2020, we are working on the third season for this series.

2014

Raven The Little Rascal: The Big Race

Raven the Little Rascal happens to be the first 2D animated feature film we have worked on. It was an adventure for multiple reasons, one of them being; exposure to new technology for our studio. We used software that was completely new to us; TV paint. We learned it quickly enough and made sure to achieve the quality standards that we demanded by the project.

2015

Mirette Investigates

We entered a whole new world of technology yet again to deliver our latest project; Mirette Investigates. To be able to create the animation for this project, we began using a new software: Toon Boom Harmony. It was extremely challenging to learn a whole new software, but we could see its value in the future. Our time window to adapt to the new technology was extremely short, but we made that transformation and were rewarded with great appreciation from our client. The hard work we put in paid off, as Mirette Investigates put Digitoonz on the map in the global animation industry.

2016

Galaxi Taxi

An animated series titled Galaxi Taxi was our next project. This project came with a lot of valuable lessons. We learned how to plan and track projects meticulously to be able to deliver this series. Our team was also required to create a feel of traditional animation by using rigged characters, something that was a new approach for us and really boosted our productivity.

Sheep & Wolves

During the same year, we also worked on a CGI Feature Film titled ‘Sheep & Wolves: Sheep Happens’. We worked on a small part of the whole film and it proved to be a great learning experience.

2017

Adam Ruins Everything

The next year brought us extreme challenges that we had not faced before but we managed to handle them well. We landed two projects at the same time, Dallas & Robbo and Adam Ruins Everything. Dallas & Robo is an American adult animated series created by Mike Roberts and starring John Cena and Kat Dennings. Adam Ruins Everything is an American educational comedy television series starring Adam Conover. Both projects had worldwide popularity due to the star-studded casts and had quality standards that were strictly defined. We learned quickly how to maintain quality and manage a tight schedule together for both projects. We are proud to share that no deadlines were missed and all quality standards were met and our capability to produce efficient results increased.

Ziggy and the Zoo Tram

We also worked on a CGI TV Series titled Ziggy and the Zoo Tram within the same year, an adorable animation about an Australian freshwater crocodile.

2018

Little Luke and Lucy

‘Little Luke and Lucy’, as well as ‘YOYO’, are both 3D TV series. Handling both the projects back-to-back for the same client was indeed a new challenge of its own kind. It helped us increase our efficiency to greater levels and develop a stronger foundation in 3D animation.

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2019

Rick and Morty

This 2D animated TV series needs no introduction, as it is a world-renowned show that has won many awards. The most recent award it was nominated for was the ‘Primetime Emmy Awards’ for ‘Outstanding Animated Program’ and it won! It is an American adult animated science fiction sitcom created by Justin Roiland and Dan Harmon for Cartoon Network’s late-night programming block Adult Swim. It is currently one of the most popular shows on Netflix. We are proud to be part of such a well-crafted production and it is definitely one of our favourite projects in recent times. We worked on some parts of the third season of the series and continued to work on the fourth season’s production as well.

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Rise of the Teenage Mutant Ninja Turtles

The Teenage Mutant Ninja Turtles are definitely the most famous turtles worldwide! The launch of a new animated series based on them was definitely the addition of a star project in our portfolio. Rise of the Teenage Mutant Ninja Turtles is an American 2D-animated television series that was announced by Nickelodeon in 2017. It is also an award-winning show, winning an Annie Award for ‘Outstanding Achievement for Storyboarding in an Animated Television/Broadcast Production’ and was nominated for Daytime Emmy Awards under the category ‘Outstanding Children’s Animated Series’. We have worked on its first season and are now working on the second season as well.

This project was a particularly challenging one for us in recent years. The quality standards were extremely high for this show along with an extremely tight schedule. We developed new tools to match the expected quality of details like line quality and stroke, the shading, etc. The technology used for the project was Toon Boom Harmony 14 and 17.

With our partners expecting delivery of one episode per week, the task seemed next to impossible. Training our team took up a lot of time and we added a large number of people to meet the schedule. We had complete help from the partners at every step, with support in terms of how much workforce would be required, and weekly training for the employees. Every week we ended up letting go of some people and added more, to match the required standards. At the end of the production, 90 percent of the crew had been shuffled!

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Solar Opposites

Solar Opposites is an American animated sitcom created by Justin Roiland and Mike McMahan for Hulu. On Rotten Tomatoes the show has an approval rating of 90% based on reviews from 29 critics and it is definitely a popular show. It centers around a family of aliens from a better world who must take refuge in middle America. We have successfully delivered one season for this show.

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Glitch Techs

Glitch Techs is an American animated web television series created by Eric Robles and Dan Milano for Nickelodeon and streaming on Netflix. For us, Glitch Techs has been one of the most complicated projects. We were hired to do all the Harmony rigs. The quality level of the design for this show was very high and we delivered it well. Now that the show is a great success, we feel proud to be part of this prestigious series.

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2020

Monkie Kid

This is an exciting and action-oriented project for Digitoonz, with a style guide that is very different from what we have worked on before. We have already worked on season one and are now working on season two.

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Doctor Who (Animated Series-Under Production)

With each progressing year, we have been able to work on bigger and bigger brands, and 2020 has brought to us one of the biggest, most well-known brands: Doctor Who. Doctor Who is a British science-fiction television program produced by the BBC since 1963. Work on its conversion into an animated series began in 2019, and we stepped into the project in Season one during the phase of production. However, for season two and three, we are all set to handle the entire series from pre to post-production. We couldn’t be more excited and feel lucky to be involved in this series from the very beginning.

It has been a long amazing journey so far, but we believe we have many many more miles to go and many many more milestones to accomplish. We will keep sharing the updates of our exciting journey every year!

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Bobbleheads

This is one of the most challenging projects we have worked on as half of the project was completed during lockdown. We are really thankful to our Producer for their great support.

The movie, directed by *Beauty and the Beast*’s Kirk Wise and produced by *Mortal Kombat*’s Lawrence Kasanoff, was released on Digital, DVD, and on demand by Universal Pictures Home Entertainment on Dec. 8. It also streamed on Netflix at a later date.

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2021

Tales of Aluna

2021 was the toughest year in our history—not just for our company, but for the entire world—due to the global pandemic. During this time, finishing production on Tales of Aluna highlighted our team’s determination and dedication to deliver on time. Managing artists across studios in two different cities during a complete lockdown speaks volumes about our resilience and ability to adapt.

We simultaneously worked on multiple episodes to complete over 26 episodes, each 11 minutes long—an impressive feat. Effective internal planning, meticulous scheduling, and strategic manpower management played a pivotal role in overcoming the challenges and delivering a successful production.

The Tales of Aluna is an intriguing and magical fantasy series. The concept of a secret, magical island, and the guardians Aluna and Barabajagal interacting with human visitors offers exciting storytelling potential. The balance between protecting their world and forming relationships with outsiders makes for a compelling viewer experience.

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Underdog

Underdog was quite the challenge, but also an incredibly rewarding project. We successfully managed to deliver 52 episodes, each 11 minutes long, despite the pandemic year. What made this project even more thrilling was the unconventional production style—while we usually receive BDL sheets in Excel format, this time the BDL sheet was provided in PurRef software.

Transitioning to a new tool like PurRef, especially amidst a pandemic and with distributed teams, was a significant achievement. Managing production with a different workflow and partial rigging showcases our team’s adaptability and technical skills.

The storyline of Underdog is truly captivating—blending sports, personal growth, and passion in a unique way. The balance between personal ambitions and athletic goals in a sports-centric world delivers a powerful and relatable narrative. It was an exciting and fulfilling experience bringing this story to life through animation.

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Friends Z Space

Our 3D team had to sail the same boat during the COVID crisis as they planned the production of FriendZSpace. Managing everything during the pandemic was a major challenge—but our team was determined to finish the project on time. FriendZSpace follows the adventures of three best friends—Alice, Leo, and Kim—as they travel the galaxy in their star cruiser, The Dart, alongside BotDog. Their mission: to find alien kids and make friends! This playful and imaginative theme was a joy for our animators to bring to life.

From a compositing point of view, however, it was a bit of a hurdle. We had to work in ‘Fusion’, a brand new software for many of our artists. Adapting to this tool during lockdown was tough, but with our client’s support and targeted team training, we made it through. Our team’s ability to maintain quality and manage remote workflows during such a difficult time is a testament to their resilience and dedication.

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Atchoo!

Atchoo! tells the imaginative story of Teo, a nine-year-old boy with a magical quirk—every time he sneezes, he transforms into a different animal! This whimsical condition leads to hilarious adventures and heartfelt lessons as Teo learns to navigate his unique ability.

To bring season two of this vibrant series to life, our team followed a methodical and creative approach. While our rigging department partially rigged the characters, we initiated focused training for animators on Adobe Flash—since we primarily use Toon Boom Harmony. For a whole month, we conducted workshops solely dedicated to Flash, ensuring our team was fully equipped to work in the new software environment.

Once familiar with the workflow, our talented artists delivered animations for 52 episodes—three fresh and two retake episodes each month. Thanks to the team’s coordination, creativity, and dedication, we were able to meet the deadlines without compromising on quality. Successfully completing a full season of 52 episodes under such a new setup stands as a testament to our core production philosophy: adaptability, skill, and delivering excellence every time.

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2022

MGDD (Moon Girl and the Devil Dinosaur)

We are thrilled to have had the opportunity to work on Moon Girl and the Devil Dinosaur, embarking on a remarkable journey filled with challenges and learning. Taking on this ambitious production pushed our boundaries, particularly due to its unique visual style and animation techniques.

The complexity of this show demanded mastery over elements like outlines, shadows, fills, and SQL consistency. Addressing intricate layering and style adaptations was no easy feat. Yet, through sheer dedication and meticulous coordination—under the expert guidance of our supervisor—we ensured every delivery met the highest standards and was on time.

Being chosen to continue with multiple seasons speaks volumes about the confidence placed in our team’s capabilities. This achievement highlights not only our technical skills but also our adaptability and collaborative spirit. We’re honored to have contributed to the success of MGDD and excited for the journey ahead.

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Blue Clues

Blue Clues is a beloved children’s rhyme show that started in 2022 with a robust schedule of 52 episodes spanning into 2023. The project covered a full spectrum of production—from asset creation to animatics, animation, and LRC (Light Replacement Coding). Our animation team used Maya for character and scene animation, while Nuke was employed for compositing to ensure visual excellence and polished integration.

Special effects added a layer of fun and innovation to several episodes, giving our artists the freedom to explore creative storytelling. The show provided a joyful and enriching experience across departments, fostering cross-functional learning and seamless collaboration.

Blue Clues was not just another production—it was a joyful creative journey for our entire team, combining technical rigor with imaginative expression.

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Rey Mysterio

In 2022, our team embarked on an exciting production journey called Rey Misterio, inspired by the legendary WWE wrestler. The show dives into Rey’s battles against evil, highlighting his strength and resilience. This gave our artists the unique opportunity to bring thrilling wrestling moments to life through animation.

Our workflow included meticulous rigging, dynamic animation, and detailed post-production. Teams were dedicated to specific areas such as creating character shadows, lighting highlights, and fine-tuning final scenes. Although the client provided detailed guidelines for post-production, we were trusted with the creative liberty to enhance many sequences—an opportunity our team embraced to truly shine.

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100% Wolf

Fluffy, Fierce, and Full of Heart: Our Creative Journey with 100% Wolf

Working on 100% Wolf was a howling good time for the Digitoonz team! This animated feature follows Freddy Lupin, heir to a proud line of werewolves, who gets the shock of his life when his first transformation turns him not into a fierce wolf—but into a pink poodle. What unfolds is a fun, fast-paced adventure about courage, identity, and what it truly means to be a hero.

Our team had a blast bringing Freddy’s world to life. From dynamic chase scenes to emotional character moments, we embraced the film’s bold visual style and playful energy every step of the way.

It was a joy collaborating with the production team on a project that blends heart and humor in equal measure. 100% Wolf reminded us that sometimes, being different is your greatest strength—and we’re proud to have been part of telling that story.

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Ozi: Voice of the Forest

Ozi: Voice of the Forest was a meaningful and inspiring journey for our team at Digitoonz. This beautifully animated feature follows Ozi, a brave orphaned orangutan who uses the power of communication—and social media—to raise awareness about deforestation and find her lost family.

We were proud to contribute to this heartfelt story. The film’s powerful message, vibrant characters, and lush forest environments gave our artists the perfect canvas to explore emotion, storytelling, and visual depth.

From playful character moments to action-packed sequences in the wild, we brought care and creativity to every frame. Working alongside an incredible production team, we helped bring Ozi, Chance, and Honkus to life in a story that champions environmental awareness, friendship, and hope.

Ozi: Voice of the Forest is more than just an adventure—it’s a call to protect what matters. And we’re proud to have used our voice in animation to help tell it.

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2023

FRIGHT KREWE

In 2022, we embarked on an exhilarating and captivating production journey with Fright Krewe. This project quickly gained momentum, and before we knew it, we were able to complete two seasons comprising 10 episodes each, with each episode lasting for half an hour.

Initially, our work was focused on a 34-minute animation project. However, as the production progressed, it evolved into a full-fledged series encompassing two seasons. The quick pace of development allowed us to bring this thrilling story to life in record time.

Our team demonstrated excellent management skills throughout the production of Fright Krewe. We were able to animate three to four episodes every month, while remaining mindful of the air dates and maintaining a strict schedule. To meet our deadlines, we allocated a team of 33 animators to work on each episode simultaneously.

And, despite the fast-paced production, which is not uncommon for such ambitious projects to pose challenges, especially when timelines are tight and expectations are high, we ensured that the animation style remained consistent and didn’t compromise on quality. We successfully completed the first season of 10 episodes between January and June, which was a significant accomplishment. In the second season, we dedicated more time and effort to character and background designs compared to the first season.

Undoubtedly, this production presented its fair share of challenges, and our teams, from pre-production to production to post-production, faced some time constraints. However, during the virtual toast, it became evident that all the hard work and dedication paid off. The achievement and appreciation we received from everyone involved showcased the quality of our work, the ability to meet deadlines, and the positive working experience we provided. After all, it’s always fulfilling when hard work and dedication are recognized and acknowledged, especially in such a creative field where collaboration and innovation are key.

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ARF

ARF is a feature film based on traditional animation that we started and completed in the year 2023. The film tells a captivating story centered around a kid named ARF. It is visually pleasing, that combines emotional resonance and cuteness to create a compelling cinematic experience. Its animation style and storytelling aim to captivate and engage the audience on an emotional level. The film’s aesthetic appeal and heartfelt narrative work together to provide an enjoyable and touching viewing experience.

While rolling on the floor – given the time constraints associated with traditional animation, the production team faced challenges in meeting the strict timeline. To overcome this, we divided teams into different categories based on their expertise like skilled animators focused on sketching and diligent animation, while junior animators added shadows and highlights from a clean-up perspective. Additionally, the post-production team worked on exporting the final output. Likewise, we also allotted each team a supervisor to ensure the quality of the animation met the project’s requirements. And, despite the different challenges, the team remained committed to achieving the desired end result. The film is set to be aired soon, and we collectively believe it will be a great watch, providing a touching and captivating cinematic experience.

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CASAGRANDE’S MOVIE

CASAGRANDE’S MOVIE (CASM) was another exciting feature film our team had the pleasure of animating in 2023. Undertaking CASM was a significant task, and to ensure smooth production, we meticulously divided our responsibilities.

We organized our team into two core groups: the first included artists from the animation department who adapted quickly to CASM’s unique style. The second group, from post-production, initially faced challenges grasping the style but soon overcame them with great success.

The FX work in CASM stood out as especially nuanced and time-consuming. Since all effects were hand-drawn in 2D, our team created up to seven or eight drawings per frame to achieve the desired visual impact. This dedication to frame-by-frame detail illustrates our commitment to high-quality output.

In addition to animation, our team also managed technical tasks such as updating scene setups, tweaking rigs, and adjusting backgrounds to ensure a cohesive final product. Despite challenges, our collective efforts resulted in a visually impressive outcome that met both client expectations and our creative standards.

Sesame

While working over the other productions, we also get to work upon ; Sesame is one notable Emmy Awards show, the category reflects the show’s excellence in both entertainment and education. “Sesame Street” has successfully maintained its relevance and popularity, making it a staple in the lives of many generations of children and families and we had super-fun while working over this production!
And, working on a show as iconic and beloved as “Sesame Street” has truly been an incredible experience for the team, and utmost joyous experience as many of our artists have watched this show while growing-up!

The show’s ability to blend entertainment and education seamlessly while captivating multiple generations is truly remarkable. And, animating for such a show that has a rich history and a dedicated fan base was both thrilling and rewarding, working on “Sesame Street” brought joy and fulfillment to the team. The show’s ability to blend various elements like animations and the beloved Muppets to engage and educate audiences is truly special!

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CODY

In 2023, our 3D production team had the opportunity to work on Cody, a refreshing addition to children’s TV created by Moonbug. With a goal of delivering 30 episodes by November 2023, we developed a streamlined production workflow covering layout, animation, and LRC finalization for each episode.

To ensure efficiency, our team was divided into focused groups—pre-production (animatics), production (animation), and post-production (LRC)—each with designated supervisors overseeing quality control. By locking animatics ahead of time and preparing animations in advance for LRC, we maintained momentum throughout the process.

Thanks to our strategic planning and parallel work across multiple episodes, we completed all 30 episodes on schedule while meeting high-quality standards. This experience showcased the power of teamwork and disciplined coordination in animation production.

Barbie

The animation team had a great time creating a semi-realistic animation of the beloved Barbie characters. They thoroughly enjoyed the process of modeling, texturing, and rigging all the assets, included in the props. Additionally, the animation team worked on multiple interconnected trailers, including Barbie Pre-show, Barbie Dream Closet (Post show), and the Main show . Overall, it was a super-fun experience for everyone involved as they brought the iconic Barbie universe to life through their creative work!

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Bedtime Defenders

Bedtime Defenders is a uniquely created show set in a fictional realm revolving around the legendary Vykans. This imaginative concept blends 2D and 3D animation into a thrilling mixed-media experience. Though this creative fusion added complexity to production, it also elevated the storytelling and visuals.

Our team successfully produced 12 episodes, each 6.5 minutes long. We modeled, textured, and rigged all characters and props. The post-production team had significant scope for special effects and experimented with diverse compositing styles. Maya was used for animation and Nuke for compositing.

Despite the challenges, the show was both begun and completed in 2023. This project stands out as a triumph—thanks to the unique storyline, our team’s technical expertise, and the seamless integration of mixed-media elements.

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Blippi

Blippi’s quite the adventurous educator! We had a total of eighteen episodes to animate, and our animation team dove into sequences packed with fun explorations of topics like fire trucks, animals, and space—perfect for teaching kids about the world around them.

It’s impressive how well the show combines entertainment with education, making learning about numbers, colors, shapes, and words an exciting journey for children.

It’s super-fun to animate and a very joyous show to catch-up!

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DORA

We had the opportunity to work on Dora in 3D. Dora is a beloved character in the animation industry, and many of our artists have admired her journey for years. Animating the 3D version of Dora was a delightful and heartwarming experience for the entire team.

While maintaining color consistency and resolving minor glitches posed some challenges, everything remained under control throughout production. Our top priority was preserving the essence and feel of Dora in every scene.

We initially began with six episodes for Season 1. However, thanks to our consistent quality and dedication, we were honored to be entrusted with additional work for the season. The collaboration was smooth, and the project was a joy to work on from start to finish.

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2024

HOLT

HOLT is a captivating fantasy adventure following three mismatched teenagers—Umba, Roo, and Matric—who unite as one powerful superbeing to combat predators and explore the mysteries of the universe. Their bond and courage guide them on a journey to return home, and our artists had the joy of animating their thrilling story in sync with its fantasy-driven narrative.

Unlike many of our other projects, HOLT is produced using Flash rather than Toon Boom Harmony, prompting us to form a dedicated team well-versed in the software. With 26 episodes in production, multiple episodes are being tackled simultaneously. While work is still underway, we’re excited about keeping to our production timeline and look forward to sharing this exhilarating adventure with the audience very soon.

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Rock Bottom

Rock Bottom marked a new kind of creative exploration for our team in the first half of 2024. This live-action film provided a refreshing contrast to our traditional animation projects, offering us the chance to experiment and adapt our expertise to a different medium.

Our scope included everything from animation to ink & paint and post-production. The team delivered with such precision and quality that our client extended the project beyond the originally agreed scope. Rising to the occasion, our team handled the extra workload smoothly, ultimately delivering the entire film on schedule with the high standards we’re known for. It was a rewarding experience that highlighted our adaptability and passion for storytelling in all forms.

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PRESS START

Adventures Between Worlds

We are proud to present our work on Press Start, an original animated series that blurs the line between reality and fantasy and takes viewers on a high-energy journey across two thrilling dimensions: the real world and the digital universe of video games. This fast-paced, visually rich series follows the exciting adventures of Sunny and Rue Zaki—a fearless brother and sister duo who stumble upon a mysterious game controller that unlocks the gateway to their favorite video game.
Our team was thrilled to handle the animation production, and at the same time we were also involved across multiple stages—from pre, to final animation to post-production. The unique dual-world structure of Press Start allowed us to flex both creative and technical muscles, crafting two distinct visual styles:
Real World: Grounded, expressive, and relatable—designed with warm palettes and character-focused storytelling.
Gaming World: Fast-paced, stylized, and vibrant—filled with bold colors, exaggerated physics, and cinematic action sequences.
What starts as a fun gaming session quickly becomes a pulse-pounding reality as the siblings are pulled into the digital world. Once inside, they face a series of escalating challenges, puzzle-like quests, and dynamic boss battles, all while trying to navigate back to the real world. With teamwork, quick thinking, and a bit of humor, Sunny and Rue discover their true strengths—not just as gamers, but as family.
This project showcases our studio’s passion for world-building and storytelling, and our capability to handle original IPs with complex animation needs and creative vision. We look forward to continuing to push boundaries in stylized, story-driven animation that resonates with global audiences.

The series’ structure required distinct visual identities for each universe:

Real World: Grounded and relatable with warm tones and expressive animation.
Gaming World: Stylized, bold, and fast-paced with exaggerated action and vibrant palettes.

As Sunny and Rue face escalating digital challenges, the story reveals deeper themes of teamwork, courage, and sibling bonds. Press Start is a testament to our studio’s passion for stylized storytelling and original IP creation. We’re excited to share this adventure with audiences worldwide.

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Moon Girl and Devil Dinosaur Season 2.5

Big Brains. Bigger Dinosaur. Working on Moon Girl and Devil Dinosaur Season 2.5 was an action-packed ride filled with energy, imagination, and heart! This Marvel animated series centers on the brilliant 13-year-old inventor Lunella Lafayette, who accidentally brings a giant red T-Rex into modern-day NYC. Together, they become an epic superhero team defending the Lower East Side from outrageous threats.

From kinetic action to colorful cityscapes, our animation team embraced the chance to contribute to a series that celebrates creativity, intelligence, and community. Lunella’s spark and Devil Dinosaur’s charisma gave us a thrilling opportunity to experiment with bold animation styles and powerful storytelling.

We’re proud to be part of a show that elevates diverse heroes and clever tech—get ready to roar with excitement in every scene!

2025

Tales From Outer Suburbia

A Joyride Through the Surreal: Our Experience on Tales From Outer Suburbia
The experience of working on Tales From Outer Suburbia was truly enchanting. From the very first frame, we knew this project would be a journey unlike any other—a rich blend of heart, humor, and surreal wonder inspired by the beloved illustrated book by Shaun Tan.
Collaborating with Flying Bark Productions and Highly Spirited under the creative vision of Director Noel Cleary and Shaun Tan himself was a true creative delight. The show’s unique blend of cutting-edge CGI and handcrafted stop-motion aesthetics pushed our team to explore new artistic frontiers. Every scene we worked on felt like painting a dream—with unexpected twists, tender family moments, and strange but beautiful phenomena waiting around every suburban corner.
Klara and Pim’s emotional summer adventures resonated with us deeply, and bringing that world to life visually was a deeply rewarding experience. Projects like this remind us why we love animation—the chance to tell meaningful stories that touch both the heart and the imagination.
We’re incredibly proud to have been part of this beautiful and thought-provoking series, and we can’t wait for audiences around the world to experience the strange, wonderful charm of Tales From Outer Suburbia.

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SCRIBBLE SCRUBBIE

Bringing Colorful Adventures to Life: Our Work on Scribble Scrubbie Pets
Working on Scribble Scrubbie Pets was an absolute treat for our team! This animated series bursts with energy, creativity, and heart—just like the lovable animal characters at the center of its colorful world.

From the start, we knew this wasn’t just about animation—it was about capturing the joy of transformation, imagination, and friendship. Each episode gave us the chance to explore fun, surprising design possibilities as the characters changed their colors, costumes, and personalities with every new story.

The vibrant storytelling and playful tone inspired us to push our artistic style and bring every frame to life with energy and warmth. Whether it was a fashion swap, a problem-solving mission, or a splash of spontaneous fun, Scribble Scrubbie Pets reminded us how powerful creativity can be when it’s shared.

We’re proud to have been part of this colorful journey and can’t wait for young audiences everywhere to laugh, learn, and dream with the Scribble Scrubbie gang!

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BACKYARDIGANS

A Journey Through Imagination

We had the pleasure of contributing to the vibrant world of The Backyardigans, an acclaimed animated children’s series known for its imaginative storytelling and catchy musical numbers. The project was a creatively rewarding experience from beginning to end, providing our team with a fantastic opportunity to explore playful storytelling, colorful design, and character-driven animation that resonates with younger audiences.

Our team collaborated closely across departments to ensure every episode maintained the charm, rhythm, and visual appeal that define the Backyardigans universe. Each short captures a unique adventure—from jungle explorations to space missions—while staying true to the show’s imaginative tone and rhythm. We focused on delivering high-quality character animation, expressive movements, and engaging scene transitions to enhance the storytelling experience.

We’re proud of the work accomplished in this production and are delighted to showcase our contribution to this beloved franchise. This project stands as a testament to our studio’s ability to handle stylized animation and deliver consistent, high-quality content across multiple episodes.

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Dora’s Fairytale Rescues

We were thrilled to collaborate with Paramount on Dora the Explorer (3D), a vibrant reimagining of the iconic preschool series. This season brought Dora’s world to life with enhanced 3D animation, musical storytelling, and imaginative adventures that continue to inspire curiosity and discovery in young viewers.

The series follows Dora and her friends as they embark on a new wave of musical, imaginary adventures—blending exploration with problem-solving in engaging, bite-sized episodes. Our studio played a vital role in the production pipeline, and our team focused on maintaining the cheerful tone and educational charm that the Dora franchise is known for, while elevating storytelling with dynamic layouts, expressive character animation, and seamless rendering.

We’re proud to have contributed to this beloved series and to have supported Paramount’s vision for a fresh, high-quality 3D format that continues to connect with a global audience.

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SHOWTIME

(In production)

It’s Showtime! Celebrating Sparkle, Song, and Self-Expression
Working on Showtime is an absolute delight for our team! With 52 episodes of musical comedy magic, this vibrant series invites us into the world of Glitz—a theatrical six-year-old with a passion for solving problems through performance, positivity, and plenty of jazz hands.

Every episode is a chance to help bring colorful stories to life that remind young audiences that everyone has something special inside them—something that deserves to be celebrated. Whether it’s drawing out someone’s hidden talent or showing how a perceived weakness can actually be a strength, Glitz and her friends light up the screen with music, movement, and heart.

As we continue animating this exciting series, we’re enjoying every moment of building a world filled with sparkle, laughter, and meaningful messages. Showtime is a joyful reminder that sometimes, the best way to help someone shine is to put their uniqueness center stage.